Wednesday, July 07, 2004

zark did everything

http://news.independent.co.uk/world/middle_east/story.jsp?story=538490
The deadly efficiency of the foreign-led militants behind a series of terror attacks and assassinations across Iraq became clear yesterday with the release of a chillingly professional promotional video.

The group of militants is led by Abu Musab al-Zarqawi, the Jordanian blamed by the US for many of the deadliest attacks over the past year, and for wielding the knife that decapitated the American hostage Nick Berg. The video's starkest message to the fledgling government of Iraq is that Zarqawi's men - many of them foreign fighters - are now well organised, embedded inside Iraq, and can strike at a time and method of their choosing.

The sophisticated tape includes scenes such as a suicide bomber heading off on a mission, waving goodbye to his chanting colleagues as he climbs into the cab of a tanker packed with explosives. "I sacrifice myself for my religion," he says before leaving. Moments later the explosion can be heard and a massive ball of fire fills the screen as the suicide bomber reaches his target: an American position under a bridge west of the troubled city of Fallujah.

The video also shows the suicide car bomb attack on 17 May that killed the Iraqi Governing Council leader Izzadine Saleem. The car in which the cameraman is sitting is so close that the windscreen is cracked by the force of the blast. Seven others were killed in the attack.

The tape, complete with graphics and professional-quality editing and camerawork, is the latest raising of the stakes by militants since the return of partial sovereignty to Iraq by the US last week. "This video speaks of a danger more organised than the one viewed through the snippets of the intelligence and glimmers of insight the public [has] previously seen," wrote Michael Ware, the Time magazine reporter who obtained the tape.

Mr Ware, who has interviewed a number of insurgents over the last year, said the tape was intended to send a very clear message to coalition troops and foreigners. "We can get you. You cannot stop us."

He also said the video, like a corporate recruitment product, was designed to lure new fighters - and funding - to Zarqawi's network. "It is a very, very sophisticated part of Zarqawi's information campaign, stamping him as the star of the new global jihad inspired by Osama bin Laden," Mr Ware said.

The video suggests that foreign fighters have been able to develop a reasonably sophisticated network inside Iraq. The footage features interviews and statements from Saudis, Algerians, Libyans, Jordanians and fighters from other countries. One bomber claims to have lived in Italy and played hockey for a leading club.

It also appears to confirm the central role played by Zarqawi within the insurgents' community. The voice of the Jordanian-born extremist, currently the most wanted man in Iraq, only appears briefly on the recording and it seems to have been taken from an audio tape he released last month threatening the new Iraqi government.

The footage contains scenes of what appear to be the final days and hours of militants as they ready themselves for suicide missions. Superimposed on scenes of them praying and relaxing are individual shots of the men explaining why they are carrying out the attacks. "How can I live peacefully at a time when the holy and sacred places have been violated, and the country is usurped and the infidels are encroaching on our country and humiliating our religion, which is ... our pride?" asks one bomber as armed, masked men stand behind him. "How can I live, and others live, while our sisters are prisoners of the Americans in Iraq?"

In the tape the group also claims responsibility for an attack in Nasiriyah in November last year in which 18 Italian soldiers were killed, and the truck bombing last summer of the UN headquarters in Iraq, in which the special envoy Sergio Vieira de Mello died. There is also footage from an attack on the Mount Lebanon Hotel in March. In that instance the cameraman is standing so close to the scene that the camera crackles as flames roll towards it.

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